I have 30 minutes before the children awake,
wrinkled thumbs soaked,
eyes small with sleep. I sit
under one of California’s oldest oak trees
with the video monitors next to me.
I lift a cigarette to my lips and digress
to the smell of my mother’s hair as she lifts
me, wet with tears and urine, tangled
in soaked sheets and blankets.
Not even two, I was left
asleep. My parents walked over
to Avo’s for a round of cribbage.
20 minutes now, and the children rustle.
I hustle another cigarette out of my purse
and listen to the rescue copters circling
Millard Canyon where hikers go missing every week.
Millard, where the native Hahamog’na lived
before Portola made his messy bed there.
10 minutes, and the crow circles the nests
where my friend the Blue Jay just fed her newborns.
It is May, that mother of all months,
when the Arroyo dries up, children skip classes
and everyone leaves their windows open
for the cool breeze to steal in from the coast.
They are cooing now, but I was screaming alone
that night before they came for me, rushing in together,
eyes big with worry, huddled over me like conspirators
as they unwrapped me gently with their sorry hands.
Whether we ever knew them, whether
they held our hands or burned their bras,
somehow they silently grow into our poems
like gypsum, each one a different color and shape.
We credit them for our idiosyncrasies and diseases,
the likes of which haunt us the same way
their perfume covers everything.
I dare you to think of one pop song
written about old granny, one priceless
work of art reimagining her toothless smile.
Yes, we are sentimental fools,
but writers cringe from cliché,
and a grandmother poem is automatic death
unless she’s Norma Rae.
I pray to you please honor her another way.
Find that tourmaline necklace she passed on,
and wear it for a change. Read her old love letters
to your son, bake her a cake, give your daughter
that god-awful name so popular way back when
she had to store away her feelings like rationed sugar
during that war she suffered through. I remember too
my sweet namesake unbraiding her long dark hair
in her tidy white bedroom. All she ever did
was suffer at the hands of a spoiled husband.
All she wanted was to die, and she passed
that on to me as well. What kind of writer
would I be if I hid that from you
and only wrote poems about her Christmas cookies
and that time she taught me how to crochet?
Notes on Fetish Eve: Keeping Up With the Exoticisms (Panel 5 of 12), the 3rd set of portraits in Virgin/Whore: The Eve Mandate Series by Tess.Lotta
written by Armine Iknadossian
Hnazant (obedient/submissive) as in “We named our daughter Hnazant to make sure she does not turn out a slut.”
Lrel (to shut up) when men threaten you.
Fetish as in Kim Kardashian’s ass, breasts and lips
Exotic as in Cher’s nose
Noorp (petite) as in surgical rib removal for smaller waist-line
On right breast:
Chaste – as in hymen reconstruction surgery
Evil as in Eve(l).
Arkant (uterus) as in hysterectomy at 40
Gov (cow) as in “Get off the couch, you fat cow.”
Bitch – as in bitch rescues kitten by adopting it into her own litter of puppies.
On left breast:
Pari (good) as in “Good girls your age shouldn’t ask what the word virgin means.”
Good as in “Good girls your age shouldn’t ask what the word virgin means.”
Girl as in “Good girls your age shouldn’t ask what the word virgin means.”
Hay akhchig (Armenian girl) is hiding behind the fold in the fabric.
Keghetzig (beautiful) – “Will you still love me when I am no longer young and […]”
Slut as in a woman deflowered by someone other than her husband.
View the rest of Tess.Lotta’s series here: Fetish Eve: Keeping Up with the Exoticisms